The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]

Huerta-Floriano M.Á.; Pérez-Morán E.

doi:10.4185/RLCS-2013-974en

dc.creator	Huerta-Floriano M.Á.	spa
dc.creator	Pérez-Morán E.	spa
dc.date.accessioned	2018-10-31T13:44:26Z
dc.date.available	2018-10-31T13:44:26Z
dc.date.created	2013
dc.identifier.issn	11385820
dc.identifier.uri	http://hdl.handle.net/11407/4933
dc.description	As part of a research project that examines the 200 most popular films during the Late-Francoist Spain, this article offers a qualitative analysis of the ten films that were produced from 1966 and 1975 and were starred by the actor and singer Manolo Escobar, who was the most profitable artist of that time and delivered the most explicit messages. The analysis focuses on the values, ideas and beliefs transmitted by these films, which were presented to the public as just entertainment but were in essence ideological vehicles. The male dominance, the subservience of women, the exploitation of other Celtiberian issues that had relevance at that time, the glorification of the all things Spanish when in presence of foreignness are some of the characteristic features of these musical comedies whose happy endings suggested that success was within the reach of anyone who complied with the prevailing codes of conduct of the late-Francoist Spain.	spa
dc.language.iso	eng
dc.language.iso	spa
dc.publisher	University of La Laguna	spa
dc.relation.isversionof	https://www.scopus.com/inward/record.uri?eid=2-s2.0-84979961619&doi=10.4185%2fRLCS-2013-974en&partnerID=40&md5=2c1606b48803ab41a0f6ff23ad589392	spa
dc.source	Scopus	spa
dc.subject	Aesthetics	spa
dc.subject	Cinema	spa
dc.subject	Ideology	spa
dc.subject	Late-Francoism	spa
dc.subject	Musical number	spa
dc.subject	Story	spa
dc.title	The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]	spa
dc.type	Article	eng
dc.rights.accessrights	info:eu-repo/semantics/restrictedAccess
dc.publisher.program	Comunicación y Lenguajes Audiovisuales	spa
dc.contributor.affiliation	Huerta-Floriano, M.Á., Pontifical University of Salamanca;Pérez-Morán, E., Universidad de Medellín	spa
dc.identifier.doi	10.4185/RLCS-2013-974en
dc.relation.citationvolume	68
dc.relation.citationstartpage	182
dc.relation.citationendpage	208
dc.publisher.faculty	Facultad de Comunicación	spa
dc.relation.ispartofes	Revista Latina de Comunicacion Social	spa
dc.relation.references	Altares, P., Mitos y cultura kitsch en la España del desarrollo (1972) Triunfo, 533, pp. 30-35. , Madrid, December;Burgos, A., Manolo Escobar, último baluarte del nacional-folklorismo (1976) Triunfo, 693, pp. 42-45. , Madrid, May;Gil Gascón, F., Gómez, G.S., Women, Engagement and Censorship In the Spanish Cinema. 1939-1959 (2010) Revista Latina de Comunicación Social, pp. 460-471. , http://www.revistalatinacs.org/10/art3/912_Malaga/34_GomezEN.html, La Laguna (Tenerife): Universidad de La Laguna, 10.4185/RLCS-65-2010-912-460-471-EN;	spa
dc.type.version	info:eu-repo/semantics/publishedVersion
dc.type.driver	info:eu-repo/semantics/article

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