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Monsters, aliens, and zombies: figurations of otherness in a semiotic key

Monstruos, aliens y zombis: figuraciones de la alteridad en clave semiótica

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Date
2025
Author
Arango-Lopera C.A.
Cruz-González M.C.
Aguilar Rodríguez D.

Citación

       
TY - GEN T1 - Monsters, aliens, and zombies: figurations of otherness in a semiotic key T1 - Monstruos, aliens y zombis: figuraciones de la alteridad en clave semiótica Y1 - 2025 UR - http://hdl.handle.net/11407/9071 AB - This research explores contemporary representations of monsters, aliens, and zombies as manifestations of the current imaginary, examining different forms of otherness. Inspired by Foucault’s ideas on alterity, these figures are analyzed within popular culture using Peirce’s triadic theory to decipher the implicit messages in these images. The primary essence of the monster is studied as a distortion of unity, the secondary nature of the alien as an other that reflects aspects of the human condition, and the tertiary representation of the zombie as a challenge to the boundaries of life itself. It is argued that these representations challenge and redefine our perception of humanity through a process of exploration and trial, characteristic of popular culture, where errors play a crucial role in interpretation. © 2025 Universidad Nacional de Colombia. All rights reserved. ER - @misc{11407_9071, author = {}, title = {Monsters, aliens, and zombies: figurations of otherness in a semiotic keyMonstruos, aliens y zombis: figuraciones de la alteridad en clave semiótica}, year = {2025}, abstract = {This research explores contemporary representations of monsters, aliens, and zombies as manifestations of the current imaginary, examining different forms of otherness. Inspired by Foucault’s ideas on alterity, these figures are analyzed within popular culture using Peirce’s triadic theory to decipher the implicit messages in these images. The primary essence of the monster is studied as a distortion of unity, the secondary nature of the alien as an other that reflects aspects of the human condition, and the tertiary representation of the zombie as a challenge to the boundaries of life itself. It is argued that these representations challenge and redefine our perception of humanity through a process of exploration and trial, characteristic of popular culture, where errors play a crucial role in interpretation. © 2025 Universidad Nacional de Colombia. All rights reserved.}, url = {http://hdl.handle.net/11407/9071} }RT Generic T1 Monsters, aliens, and zombies: figurations of otherness in a semiotic key T1 Monstruos, aliens y zombis: figuraciones de la alteridad en clave semiótica YR 2025 LK http://hdl.handle.net/11407/9071 AB This research explores contemporary representations of monsters, aliens, and zombies as manifestations of the current imaginary, examining different forms of otherness. Inspired by Foucault’s ideas on alterity, these figures are analyzed within popular culture using Peirce’s triadic theory to decipher the implicit messages in these images. The primary essence of the monster is studied as a distortion of unity, the secondary nature of the alien as an other that reflects aspects of the human condition, and the tertiary representation of the zombie as a challenge to the boundaries of life itself. It is argued that these representations challenge and redefine our perception of humanity through a process of exploration and trial, characteristic of popular culture, where errors play a crucial role in interpretation. © 2025 Universidad Nacional de Colombia. All rights reserved. OL Spanish (121)
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Abstract
This research explores contemporary representations of monsters, aliens, and zombies as manifestations of the current imaginary, examining different forms of otherness. Inspired by Foucault’s ideas on alterity, these figures are analyzed within popular culture using Peirce’s triadic theory to decipher the implicit messages in these images. The primary essence of the monster is studied as a distortion of unity, the secondary nature of the alien as an other that reflects aspects of the human condition, and the tertiary representation of the zombie as a challenge to the boundaries of life itself. It is argued that these representations challenge and redefine our perception of humanity through a process of exploration and trial, characteristic of popular culture, where errors play a crucial role in interpretation. © 2025 Universidad Nacional de Colombia. All rights reserved.
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http://hdl.handle.net/11407/9071
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