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Music, Nostalgia, and Image: Analysis of the First Season of the German series Dark

Música, nostalgia e imagen: análisis de la primera temporada de la serie alemana Dark

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Date
2024
Author
Cruz-González M.C.
Arango-Lopera C.A.

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TY - GEN T1 - Music, Nostalgia, and Image: Analysis of the First Season of the German series Dark T1 - Música, nostalgia e imagen: análisis de la primera temporada de la serie alemana Dark Y1 - 2024 UR - http://hdl.handle.net/11407/9093 AB - This article analyzes the relationship between image and music in the German series Dark, focusing on the year 1986. The mixed methodology employed combines quantitative and hermeneutic analyses to determine if there is a direct connection between both elements. Various aspects of music are examined, such as its diegetic or extradiegetic nature, instrumentality, lyrics, and genre, both by artist and by song. The results reveal a non-direct relationship between the temporality of the image and music, as the latter, although set in the 1980s, is produced in the 21st century. Classical and new romantic genres predominate, suggesting a referential use of nostalgia through stylistic imitation of eighties music. Finally, a nostalgic intentionality in current musical production is evidenced, aiming to evoke the aesthetics of that era. © 2024, Universidad Complutense Madrid. All rights reserved. ER - @misc{11407_9093, author = {}, title = {Music, Nostalgia, and Image: Analysis of the First Season of the German series DarkMúsica, nostalgia e imagen: análisis de la primera temporada de la serie alemana Dark}, year = {2024}, abstract = {This article analyzes the relationship between image and music in the German series Dark, focusing on the year 1986. The mixed methodology employed combines quantitative and hermeneutic analyses to determine if there is a direct connection between both elements. Various aspects of music are examined, such as its diegetic or extradiegetic nature, instrumentality, lyrics, and genre, both by artist and by song. The results reveal a non-direct relationship between the temporality of the image and music, as the latter, although set in the 1980s, is produced in the 21st century. Classical and new romantic genres predominate, suggesting a referential use of nostalgia through stylistic imitation of eighties music. Finally, a nostalgic intentionality in current musical production is evidenced, aiming to evoke the aesthetics of that era. © 2024, Universidad Complutense Madrid. All rights reserved.}, url = {http://hdl.handle.net/11407/9093} }RT Generic T1 Music, Nostalgia, and Image: Analysis of the First Season of the German series Dark T1 Música, nostalgia e imagen: análisis de la primera temporada de la serie alemana Dark YR 2024 LK http://hdl.handle.net/11407/9093 AB This article analyzes the relationship between image and music in the German series Dark, focusing on the year 1986. The mixed methodology employed combines quantitative and hermeneutic analyses to determine if there is a direct connection between both elements. Various aspects of music are examined, such as its diegetic or extradiegetic nature, instrumentality, lyrics, and genre, both by artist and by song. The results reveal a non-direct relationship between the temporality of the image and music, as the latter, although set in the 1980s, is produced in the 21st century. Classical and new romantic genres predominate, suggesting a referential use of nostalgia through stylistic imitation of eighties music. Finally, a nostalgic intentionality in current musical production is evidenced, aiming to evoke the aesthetics of that era. © 2024, Universidad Complutense Madrid. All rights reserved. OL Spanish (121)
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Abstract
This article analyzes the relationship between image and music in the German series Dark, focusing on the year 1986. The mixed methodology employed combines quantitative and hermeneutic analyses to determine if there is a direct connection between both elements. Various aspects of music are examined, such as its diegetic or extradiegetic nature, instrumentality, lyrics, and genre, both by artist and by song. The results reveal a non-direct relationship between the temporality of the image and music, as the latter, although set in the 1980s, is produced in the 21st century. Classical and new romantic genres predominate, suggesting a referential use of nostalgia through stylistic imitation of eighties music. Finally, a nostalgic intentionality in current musical production is evidenced, aiming to evoke the aesthetics of that era. © 2024, Universidad Complutense Madrid. All rights reserved.
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http://hdl.handle.net/11407/9093
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