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dc.creatorPlanes Pedreño J.A.spa
dc.date.accessioned2017-05-12T16:05:51Z
dc.date.available2017-05-12T16:05:51Z
dc.date.created2016
dc.identifier.issn11341629
dc.identifier.urihttp://hdl.handle.net/11407/3133
dc.description.abstractThe film criticism cannot face movies ignoring their precedents, that is, the corpus of films that shapes historical periods, movements, styles and genres, which regularly exert great influence over filmmaking. In the journalistic work of Ángel Fernández-Santos, one of the more influential film critics in the last decades in Spain, the analysis of expressive qualities or anomalies in some specific features involved in comedy comes from a conceptual basis joined to that genre, which understands them as its essential expressive resources.eng
dc.language.isospa
dc.publisherUniversidad Complutense de Madridspa
dc.relation.isversionofhttp://revistas.ucm.es/index.php/ESMP/article/view/54256spa
dc.sourceScopusspa
dc.subjectCinematographyspa
dc.subjectComedyspa
dc.subjectCriticismspa
dc.subjectGenresspa
dc.subjectÁngel Fernández Santosspa
dc.titleThe use of the conceptual basis of comedy in the film criticism of Ángel Fernández-Santos [La conjugación de los esquemas conceptuales de la comedia en la crítica cinematográfica de Ángel Fernández-Santos]spa
dc.typeArticleeng
dc.rights.accessrightsinfo:eu-repo/semantics/restrictedAccess
dc.rights.accessrightsinfo:eu-repo/semantics/restrictedAccess
dc.contributor.affiliationPlanes Pedreño, J.A., Universidad de Medellín, Colombiaspa
dc.identifier.doi10.5209/ESMP.54256
dc.relation.ispartofesEstudios Sobre el Mensaje Periodisticospa
dc.type.driverinfo:eu-repo/semantics/article


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