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From Parochialism to Cosmopolitanism in the American Audiovisual Supply? Netflix’s New Releases of Television Fiction in the United States and their Geographical Diversity

¿De oferta parroquiana a cosmopolita en la oferta audiovisual estadounidense? Estrenos de televisión de ficción en los Estados Unidos y su diversidad geográfica

dc.contributor.authorLozano, José Carlos
dc.date.accessioned2022-05-25T20:05:43Z
dc.date.available2022-05-25T20:05:43Z
dc.date.created2022-05-19
dc.identifier.issn1692-2522
dc.identifier.urihttp://hdl.handle.net/11407/7005
dc.descriptionThe supply of films and TV series in the United States has been historically dominated by national programming produced by its powerful media conglomerates, significantly limiting the diversity and plurality of choices for their American viewers. Netflix and other video-on-demand platforms are changing this situation, significantly increasing the availability in the United States of fiction produced in different regions of the world, potentially exposing their subscribers to new narrative styles, scenarios, ethnicities, nationalities, languages, and cultural features. This study, based on the methodology of content analysis, analyzes the geographical origin and production type of new Netflix scripted television releases in the United States from January 2017 to June 2018 and discusses their potential relevance in broadening the degree of geographical diversity among American subscribers to the platform. The paper concludes that while Netflix USA substantially increased the supply of foreign television series in its catalog during that period, a sizeable part of the imports came from countries with high degrees of “cultural proximity” with the United States. The article concludes by discussing the possible “Americanization” of foreign audiovisual productions, formats, and genres bought or produced by Netflix.eng
dc.descriptionHistóricamente, la oferta de películas y series de televisión en los Estados Unidos ha estado dominada por la programación nacional producida por sus poderosos conglomerados de medios, lo que limita significativamente la diversidad y pluralidad de opciones que han tenido los espectadores estadounidenses. Netflix y otras plataformas de video bajo demanda parecen estar cambiando esta situación, aumentando significativamente la disponibilidad en los Estados Unidos de ficción producida en diferentes regiones del mundo, exponiendo potencialmente a sus suscriptores a nuevos estilos narrativos, escenarios, etnias, nacionalidades, idiomas, y características culturales. El presente estudio, basado en la metodología del análisis de contenido, revisa el origen geográfico y el tipo de financiamiento de los estrenos televisivos de ficción de Netflix Estados Unidos de enero de 2017 a junio de 2018, con el propósito de discutir el grado en que la plataforma ha incrementado la disponibilidad de contenidos extranjeros en Estados Unidos y las implicaciones de lo anterior en el enriquecimiento de la diversidad vertical en el consumo de sus suscriptores. El documento concluye que, si bien Netflix ha aumentado sustancialmente la oferta de series foráneas en su servicio estadounidense, una parte considerable de las importaciones proviene de países con altos grados de “proximidad cultural”. El artículo concluye discutiendo la posible “americanización” de producciones, formatos y géneros audiovisuales extranjeros comprados o producidos por Netflix.spa
dc.format.extentp. 199-223
dc.format.mediumElectrónicospa
dc.format.mimetypeapplication/pdf
dc.format.mimetypePDF
dc.language.isoengeng
dc.publisherUniversidad de Medellínspa
dc.relation.ispartofseriesAnagramas Rumbos y Sentidos de la Comunicación; Vol. 20 No. 40 (2022)spa
dc.relation.haspartAnagramas Rumbos y Sentidos de la Comunicación; Vol. 20 Núm. 40 enero-junio 2022spa
dc.relation.urihttps://revistas.udem.edu.co/index.php/anagramas/article/view/3662
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0*
dc.sourceAnagramas Rumbos y Sentidos de la Comunicación; Vol. 20 No. 40 (2022): enero-junio; 199-223spa
dc.subjectContenido de programaspa
dc.subjectVideo bajo demandaspa
dc.subjectFlujos audiovisualesspa
dc.subjectDiversidad culturalspa
dc.subjectNacionalismo culturalspa
dc.subjectCirculación internacional de materialesspa
dc.titleFrom Parochialism to Cosmopolitanism in the American Audiovisual Supply? Netflix’s New Releases of Television Fiction in the United States and their Geographical Diversityeng
dc.title¿De oferta parroquiana a cosmopolita en la oferta audiovisual estadounidense? Estrenos de televisión de ficción en los Estados Unidos y su diversidad geográficaspa
dc.typeArticleeng
dc.identifier.doihttps://doi.org/10.22395/angr.v20n40a9
dc.subject.keywordShow contenteng
dc.subject.keywordNetflixeng
dc.subject.keywordSVOD subscription video on demandeng
dc.subject.keywordMedia studieseng
dc.subject.keywordCultural diversityeng
dc.subject.keywordCultural nationalismeng
dc.subject.keywordInternational circulation of materialseng
dc.relation.citationvolume20
dc.relation.citationissue40
dc.relation.citationstartpage199
dc.relation.citationendpage223
dc.audienceGeneral interestspa
dc.audienceComunidad Universidad de Medellínspa
dc.publisher.facultyFacultad de Comunicaciónspa
dc.coverageLat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degreesLong: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees
dc.publisher.placeMedellínspa
dc.description.resumoHistoricamente, a oferta de filmes e séries de TV nos Estados Unidos tem sido dominada pela programação nacional produzida por seus poderosos conglomerados de mídia, limitando significativamente a diversidade e pluralidade de opções que os espectadores americanos têm. A Netflix e outras plataformas de vídeo sob demanda parecem estar mudando essa situação, aumentando significativamente a disponibilidade nos EUA de ficção produzida em diferentes regiões do mundo, potencialmente expondo seus assinantes a novos estilos narrativos, cenários, etnias, nacionalidades, idiomas e características culturais. O presente estudo, com base na metodologia de análise de conteúdo, analisa a origem geográfica e o tipo de financiamento das estreias mensais da Netflix nos Estados Unidos de janeiro de 2017 a junho de 2018, a fim de discutir o grau em que a plataforma aumentou a disponibilidade de conteúdo estrangeiro nos EUA e as implicações do acima exposto no enriquecimento da diversidade vertical no consumo de seus assinantes. O documento conclui que, embora a Netflix tenha aumentado substancialmente a oferta de séries estrangeiras em seu serviço nos EUA, um número considerável das importações vêm de países com alto grau de “proximidade cultural”. Discussão. O artigo conclui discutindo a possível “americanização” de produções, formatos e gêneros audiovisuais estrangeiros comprados ou produzidos pela Netflix.por
dc.title.portugueseDa oferta paroquial à cosmopolita na oferta audiovisual americana? Estreias de televisão ficcionais nos Estados Unidos e sua diversidade geográficapor
dc.audience.spaInterés generalspa
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dc.rights.creativecommonsAttribution-NonCommercial-ShareAlike 4.0 International*
dc.identifier.eissn2248-4086
dc.type.coarhttp://purl.org/coar/resource_type/c_6501
dc.type.versioninfo:eu-repo/semantics/publishedVersion
dc.type.localArtículo científicospa
dc.type.driverinfo:eu-repo/semantics/article
dc.identifier.reponamereponame:Repositorio Institucional Universidad de Medellín
dc.identifier.repourlrepourl:https://repository.udem.edu.co/
dc.identifier.instnameinstname:Universidad de Medellín
dc.subject.keywordportugueseconteúdo do programapor
dc.subject.keywordportugueseNetflixpor
dc.subject.keywordportugueseVídeo Sob demandapor
dc.subject.keywordportugueseStreams audiovisuaispor
dc.subject.keywordportugueseDiversidade culturalpor
dc.subject.keywordportugueseNacionalismo culturalpor
dc.subject.keywordportugueseCirculação internacional de materiaispor


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